The Screening Series Program has detailed notes and information about each artist and their films. What is striking about these works is how critical they are of conceptual art, and, at the same time they employ the same modes as conceptual art from New York (for example).
Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-garde (Minneapolis and London: University of Minnesota Press, 2000), 326pp. Pb. ISBN 0-8166-3414-9
This review argues that Hawkins contributes an important argument to contemporary debates on the subversiveness of "art-horror" in destabilising common assumptions of taste and the aesthetic strategies of underground movies generally.
Bruce Posner's Introduction to Unseen Cinema can be read on-line. Posner argues against the European-art centric model for the appearance of an art-as-cinema, presenting his Unseen Cinema programs as the proof for the argument he makes in this article.
