The next Synthetic Zero event at BronxArtSpace, is co-curated by Mitsu Hadeishi and Jo Q. Nelson. The show includes performance, experimental video, music, video installations, visual art and sculpture:
Synthetic Zero Event
curated by Mitsu Hadeishi and Jo Q. Nelson
Openings November 16, 7-10pm
This is a fragment of my new essay considering the automation and automated processes so clearly on view in the collected material of the new aesthetic, James Bridle's tumblr blog. Originally I hadn't planned to write about his project, but I recently reconsidered that plan as I realized there was overlap with my current thinking about automation:
One of my older articles periodically receives attention, and since it has recently gotten quite a bit more than usual, and I have now been asked this question several times in recent months: would I change my analysis given the later development of the program? Here is a postscript to that article, written in 1998:
In the fourteen years since writing Educating Buffy: The Role of Education in Buffy the Vampire-Slayer the show and its creator Joss Whedon have moved into positions of significance for critical and theoretical analysis. The show itself has moved from a program whose survival season-to-season was at times possibly open to question, into a show whose seven year run (and spin-off show Angel) were both successful enough to ensure a longer presence on TV thanks to syndication. Their commercial success and sharply drawn scenarios provide ample justifications for the analysis as they have received.
The results of this law are immediately obvious: every low skilled job that can readily be described by a limited set of algo-rules will be replaced by automation. The first stages are abundantly on view around us: how long before the iPhone's voice response system SIRI asks, "Do you want fries with that?"